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Abstract


Word Order of Tazarru‘-nâme -II
Tazarru’nâme is the first book of three Turkish works, Sinan Pasha wrote up in the last period of his life, has a distinct place in classical Turkish prose literature. While we are talking about prose literature it is a work that can not be passed without mentioning, expressed by sources as the most important product of aesthetic prose. It is a moral, didactic book at the same time teaches the truths of the religious order and mystic way. It has a different style than many works when these subjects is mentioning. In the first article of the study, it was emphasized that one of the different characteristics of the work is, its form of expression, and the dual (symmetrical) structure of the composition. Tazarru’-nâme was written from the begining to the end with symmetrical construction, and the types and qualities of the sutructure were discussed. Contribution of symmetrical structures and sructure aspects that make the book worthwhile were emphasized with previous article. In this paper the symmetrical structures of Tazarru’-nâme are determined by their powerful artistic features, and it will be attempted to explain how these structures furnish the prose with poetic elements. When the product of aesthetic prose are examined, it is observed that the differences between poetry and prose is gradually decreasing. Many features of poetry are transmitted to prose through poetry tools. The symmetrical constructions used in Tazarru’-nâme are a vehicle for transferring poetic features. The aesthetic level of the expression of the book has existed in with these symmetrical constructions. In this regard, to determine the characteristics of symmetric structures of work also will help to have transferred to trace how the poetic features. It will also help to reveal the artistic direction of the work.

Keywords
Sinan Pasha, Tazarru‘-nâme, style, symmetry, symmetric.



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